This article talks about understanding pro wrestling from a musician’s perspective. I have been a wrestling fan since the age of 9, and at an earlier age; I was blessed with a gift of playing the piano by ear. A certain feature attraction that I enjoyed about wrestling were the different musical themes that played while the wrestlers walked to the ring. I thought I was the man for being able to hear these wrestling tunes and then play them on the piano to myself, I remember ringing up a friend from school just to play Macho Man Randy Savage’s theme, “Pomp and Circumstance’. I was 11 when during a school assembly, my neighbour made me get up in front of the school to play an impromptu piece on the piano, the first song that came to mind was the Macho Man’s song followed by the Fabulous Rougeau Brothers’ “All American Boys” theme. My confidence in performing in public came partly from playing these themes. Music and wrestling went hand in hand so much that when I moved away to study music, I took with me my collection of wrestling tapes; in between my studies, I would watch a tape or five as a way to de-stress. The qualification I worked towards was the first of its kind for a university in New Zealand, the focus of the curriculum was contemporary rock and the outline included lectures that discussed how Eminem’s lyrics and American accent were cleverly crafted to music. In addition to lectures; students were put into bands and taught to work together. This was a valuable tool for the reasons that we were at the start of networking with other musicians, each of our skills developed from playing with other band members and listening skills were honed from hearing the other members playing their instruments. This exercise ensured that we complemented each other and the overall sound. Being in a band was similar as being in a family unit or a very small community where each member had a certain skill set that was necessary for the community to function and as an out of town student, the band also served as a support system.
A few years ago, I came across this Facebook status that was posted by a pro wrestling veteran:
“Watching some Hulk Hogan matches before bed. Selling makes matches. Hogan was good at selling. I hate when I see guys on the Indies think they’re “too big” to sell. André the Giant sold for people … stop being marks”.
This post was a response to the internet wrestling fans’ criticism about Hulk Hogan’s wrestling skills being limited – according to their definition of limited skills; Hogan would only use a selection of simple (yet memorable) moves and his matches had the same order of format. This wrestler defended Hogan’s skills by eluding to examples of when Hogan would take a thrashing from his opponents, Hogan reciprocated the beatings by showing such believability as if he was on the verge of defeat. People within the wrestling profession refer to it as ‘selling’, and a ‘mark’ is a term used to describe a fan that overly regards a wrestler, wrestling company or wrestling style to be superior. This simple sells formula which Hulk Hogan mastered for many years was instrumental in the WWE’s success with attracting and maintaining new fans. Hogan’s detractors would explain his ‘lack of skill’ by comparing him to Kurt Angle or Daniel Bryan, wrestlers that were built to display a scientific style that comes with an unlimited move set. This certain style is what the internet fans believe to be the superior craft. Those judgments made against Hogan are unjustified as he was not equipped to perform that technique. Hogan also wrestled two different styles between the United States mainstream and the highly respected leagues in Japan; where in Japan, Hogan had the freedom to demonstrate more of his abilities that was suitable to his 6 foot, 8 inches, 300-pound build; that part of the argument is rarely acknowledged by those fans. Their ideology is that the most purist scientific wrestlers should be at the top of the card.
I played in several bands during and following my studies, the experience of being in a band helped me to identify with the wrestler’s Facebook status and subscribe to this ‘simple sells’ logic. I recognised the similarities in the way pro wrestlers and musicians worked their craft; this revelation is not too surprising as the two professions share the objective of performing to their audience. As a ‘band’, Hulk Hogan was the frontman of 1980s WWE, the wrestlers of that era were the band members, and the opponents served as part the songs. Like a great front person, Hulk Hogan’s role was to gain the trust of the fans so that they see themselves in their hero and invest emotion into Hogan’s matches and safety. In reality, Hulk Hogan’s gift of connecting with people was a vehicle for the WWE to generate revenue by encouraging the consumer to attend the matches, watch their television shows and buy merchandise. The WWE roster of that time was stacked with talent that wrestled a variety of different styles; the internet fans viewed wrestlers such as Ted Dibiase and Curt Hennig as the ‘uncrowned world champions’; technical greats that should have been in Hogan’s place – just because they ‘did more in the ring’. As great as some of these wrestlers were (and it applies to the current WWE), there is a definite place in the band for these ‘uncrowned world champions’; in most cases that place is not situated at the front. You will find these incredible workhorses supporting the frontman from the side where their instruments are of greater use.
The Million Dollar Man Ted Dibiase was a notable foe of Hogans. The Million Dollar Man was aggressive in his pursuit to attack Hogan’s values of integrity and justice with greed and selfishness, their conflicts brought about many matches/songs that are remembered with great fondness. Mr. Perfect Curt Hennig embodied an unattainable quality on the surface and was unreasonable in his disputes against Hulk Hogan’s message of inclusiveness. A lot of great songs speak about the main character facing conflicts and vulnerability, and the listener can relate to those stories through their own experience. The front person singing the part of the main character connects with the listener; this method applies to pro wrestling when the fans see themselves vicariously through their hero. Mainstream wrestling relies on stories of conflict and the empathetic hero that the fans pay to see to resolve those challenges. The Million Dollar Man and Mr. Perfect are examples of where Ted Dibiase and Curt Hennig were of most value to the WWE.
I look at WrestleMania 3 as an illustration of Hulk Hogan’s drawing power, how Hogan’s appeal helped to enhance the WWE’s visibility and the careers of those who were involved in the company. WrestleMania 3 (29 March 1987) is regarded as the event that established the WWE as the top definitive wrestling promotion in the United States. The event brought in the largest wrestling crowd in the US (93,173), and this record was sustained for almost 30 years. The advertising leading up to WrestleMania 3 was hyped around the Hulk Hogan/Andre the Giant main event. Hogan and Andre generated much attention that when it came time for the event, the matches on the undercard, in particular; the Ricky Steamboat/Randy Savage classic had gained massive exposure. Steamboat vs. Savage was of a higher quality to Hogan vs Andre, however, the level of publicity that was achieved by Hogan and Andre helped give Steamboat/Savage the attention to be remembered and appreciated by a new generation of fans.
Since its beginnings, the WWE has stayed close to the ‘simple sells’ practice; requiring the wrestlers to slow their pace during their matches. This method was vital for their top stars such as Bruno Sammartino, Hogan, Steve Austin, the Rock and John Cena. The reason for this is that the wrestlers could tell better stories that would be received by diverse audiences; it also conserves their bodies to keep up with the travel and demand of wrestling several nights a week. This, of course, applies to a sensible front person that looks after their vocals and lifestyle.
Although Hulk Hogan was nicknamed the ‘Real American’, he was able to appeal to an international audience; other American based characters like Sgt Slaughter and “the American Dream” Dusty Rhodes had certain barriers to their characters which limited their appeal to southern Americans. A fruitful band and wrestling roster can depend upon the maturity of a great frontman and the members whose skills are used for a specific purpose; for the WWE, their purpose has been to reach a broader audience by having the right person in the front.
NXT Minus 6: I Agree With Ciampa
From Ciampa & Thatcher to Kushida, from Joe to… Imperium? This week’s NXT Minus 6 has it all. So read it. And enjoy!
From Ciampa & Thatcher to Kushida, from Joe to… Imperium? This week’s NXT Minus 6 has it all. So read it. And enjoy!
Leave it to Old Man Ciampa to say what we’re all thinking.
6. I’m really hoping Samoa Joe is eventually cleared for an in-ring return. If he isn’t, then teasing matches with everybody from Pete Dunne to Johnny Gargano is cruel and unusual punishment. Don’t get me wrong. His start as William Regal’s enforcer was great, but that’s not why he came back. It’s not Joe Will Threaten You And Make You Leave The Room. Joe…Will…Kill…You.
5. Is anybody else upset that Imperium is stuck in tag team no man’s land? They are such a non-factor right now it feels like they are on the edge of a breakup. That would make me sad. I’m a big fan of Fabian Aichner and Marcel Barthel. I think they would do fine as individuals, but as a team they still have a lot to accomplish.
4. Dear MSK, I’ve booked your July. You say tag team wrestling is the best division in NXT and the best tag team division anywhere, and you are going to prove it. Each week in July, you put the belts on the line against a different team. But wait…There’s more. After you defeat everybody, those four teams get to compete in a fatal 4-way, winner gets a rematch at Takeover.
3. After Tommaso Ciampa and Timothy Thatcher put the boots (more on that in a minute) to Grizzled Young Veterans, Ciampa looked at the camera and growled “This was my Takeover.” I agree. That match was my Takeover, too. It was better than anything In Your House. Just a crazy, brutal match that I’m giving 4.7 stars. But it doesn’t stop here. There’s only one way to end this feud…the first ever tag team match in the Fight Pit.
2. Now about those boots. One of my biggest wrestling peeves is when a tag team doesn’t have a proper name. It’s clear that Thatcher & Ciampa are not a passing fad. They deserve a name. None of this half assed Thatcher-Ciampa Connection. I’ve always wanted to name a team The Boots, as in “We are going to put the boots to you boys.” Honorable mention goes to Pit Boss. If you have something better, drop it in the comment section.
1. This week’s That’s Why I Love Wrestling goes to…KUSHIDA! Specifically, KUSHIDA’s floatover. I’m a big fan of any wrestler who can elevate a basic move into something special. KUSHIDA’s floatover is a helicopter propeller. He looks like he could spin on his opponent’s back until the end of the show. Mastery of the little things turns good to great. That is exactly why KUSHIDA is one of the greats.
WWE Hell In A Cell: The End Of Main Event Bob?
Could WWE Hell In The Cell signify the end of Bobby Lashley’s main event run? Read on to see if the odds are in Bob’s favor.
Could WWE Hell In The Cell signify the end of Bobby Lashley’s main event run?
WWE Hell In A Cell takes place this Sunday on NBC Universal’s Peacock, the former WWE Network (in the US), and on pay-per-view and other outlets all over the globe.
One of the highlighted matches features Bobby Lashley defending his WWE Championship against Drew McIntyre inside the demonic Hell In A Cell structure, keeping Drew within the WWE Championship picture for eighteen straight months now, a fact that isn’t lost on most fans or even Drew himself.
But the looming question in my mind doesn’t deal with Drew, but the reigning titleholder himself, Bobby Lashley.
Bobby Lashley’s ascension to the top of the WWE comes at what is obviously the tail end of a 20-year wrestling career that has seen this phenomenal athlete compete for WWE itself, Impact Wrestling, AAA, even MMA sprints including Bellator, and ultimately WWE once again. His most recent run included feuds with Sami Zayn, Rusev and Lana, and a stint being managed by the now retired Lio Rush that are most remembered for all the wrong reasons. Before WrestleMania 37, where Lashley basically beat Drew McIntyre clean, he was essentially quashed by Finn Balor’s Demon at WrestleMania 35 and lost to the since released Aleister Black at WrestleMania 36 (held in the WWE Performance Center, not the home of the Capitol Wrestling Center).
But at the start of the global pandemic, MVP entered the picture and created The Hurt Business, a vehicle that—at the time—helped the careers of Lashley, Shelton Benjamin, and Cedric Alexander. The Hurt Business was on top of the proverbial world, holding mid-card championships and being involved in high profile storylines. But it wasn’t until the end of the Elimination Chamber build where The Miz “made a deal with the devil” to set Drew McIntyre up for his Money In The Bank cash-in. Months and years of hard work finally paid off—Bobby Lashley was WWE Champion.
After taking the Fastlane pay-per-view off, Lashley was headed to the WrestleMania 37 showdown with the main who carried the WWE back at the start of the pandemic. Drew McIntyre won the title from Brock Lesnar in front of no one at WrestleMania 36, leading many to believe that Drew could emerge victorious in Tampa Bay as a “make good” for his push not culminating in front of a WrestleMania stadium crowd. Many, including myself, were pleasantly surprised when Bobby Lashley left WrestleMania 37 as champion, doing so in relatively clean fashion.
Hell In A Cell is now the blow-off point for McIntyre and Lashley, with the rule that if Bobby Lashley loses, Drew McIntyre cannot challenge Lashley for the WWE Championship again. That begs a bigger question: Is this the end of the road for Bobby Lashley as a top guy in WWE?
According to the odds from SportsBettingDime, Bobby Lashley (-250) is expected to retain his championship in his match against Drew McIntyre. And I personally hope they’re right!
I said it on this week’s Babyface/Heel Podcast, I fully expect the loser of this match to end up on Smackdown after the next WWE Draft and be used as an opponent for Roman Reigns. Drew McIntyre is the most logical choice based on the hero/villain alignment, and him feeling like he has “unfinished business” with Roman after the 2020 Survivor Series.
Personally, I’d be betting on the side of the odds, with Lashley retaining. WWE has two full time brands, and Lashley fits at the top of the card. Despite his age (44) I think Bobby has another 2-3 good years left, and he is peaking as a character in a character driven environment. Raw is the perfect environment for Bobby Lashley to build babyface challengers and still walk out champion. Much like Roman Reigns, the best scenario is for Bobby to walk into WrestleMania 38 the same way he walked into WrestleMania 37—as WWE Champion.
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