Steve Cook finishes up his wrestling memories in 2020, a look back at one of the oddest years any of us have ever experienced.
I haven’t looked forward to the conclusion of my celebration of thirty years as a wrestling fan. We’ll certainly remember 2020, but mostly for not so great reasons. Let’s go ahead and count then down. 2020! Some of you had a decent year, but for most of us it was the WORST YEAR WE’VE EVER LIVED IN!
Let’s break it down.
5. Undertaker Gets His Ending
One of the most interesting productions of 2020 was The Last Ride, a WWE Network documentary chronicling the last few years of Undertaker’s career. Undertaker had always been careful about protecting his gimmick, this was the first time he really took fans behind the curtain. We saw a man looking to end his career with a good performance that kept having bad ones. It’s a story that many of us can identify with: the desire to go out on top, and the ability to know when you should go out.
Undertaker finally got that chance. The Boneyard Match with AJ Styles was easily one of the most entertaining matches of 2020 and the perfect note to go out on. He had a farewell at Survivor Series with a Paul Bearer hologram and rode off into the sunset. Sure, he could still come back because everybody comes back, but at the moment I’m writing this, it feels good.
TV ratings talk has always been one of those things that I’ve loved and hated at the same time. I wish people would focus more on the content of the shows and which one is better from a critical perspective. At the same time, I look at the ratings when they come out just like everybody else does. I can’t help it.
I’m at least smart enough to know how fractured viewership habits are now compared to back in the day. Back when Raw & Nitro were facing off every Monday night, they were on two of seventy channels on my cable system. Which was a drastic upgrade from what kids my age ten years prior had to choose from, and kids my age ten years prior to that. The further we move along, the more choices we have.
There was a school of thought that mainstream wrestling could benefit off of a pandemic because more people would be home watching TV. That didn’t happen, at least not as much as some hoped. There’s a vast amount of content to consume, even during a pandemic where production on certain types of programming is limited.
It needs to be emphasized that Raw & SmackDown still do wonderful numbers compared to other options on cable & satellite systems in demos & viewership. In the case of Raw, historically down from its peak back in the 1990s, but compared to other options not named “Monday Night Football” in 2020, not bad. AEW Dynamite has been killing it in those prime demos that TV people look at. And as much as we knock NXT for being far behind AEW in those demos, they’re doing more than well enough to justify their existence.
As much as I’m not a fan of these metrics, there’s not much else we can use in 2020. Not like people are going to shows!
I’m not really sure where to start with this one. Pro wrestling has seen some really bad years when it comes to death, but 2020 might have been the worst. I may even have missed some in the timeline here:
- January 9 – Pampero Firpo
- January 11 – La Parka II
- Janurary 15 – Rocky Johnson
- January 25 – Justice Pain
- March 5- Rip Oliver
- April 12 – Joe Pedicino
- April 16 – Howard Finkel
- May 17 – Shad Gaspard
- May 18 – Larry Csonka
- May 23 – Hana Kimura
- May 31- Danny Havoc
- June 4 – Chris Hyatte
- June 10 – Mr. Wrestling II
- June 30 – Tim Brooks
- July 31- Mark “Rollerball” Rocco
- August 9 – Kamala
- August 16 – Xavier
- August 27 – “Bullet” Bob Armstrong
- September 2- Casey Michael
- September 10 – Barry Scott
- September 22 – Road Warrior Animal
- October 15 – Karsten Beck
- October 28 – Tracy Smothers
- November 25 – Bob Ryder
- December 2 – Pat Patterson
- December 10 – Zeus
- December 21 – Kevin Greene
- December 24 – Danny Hodge
- December 26 – Brodie Lee
It’s an overwhelming list of names with so many people that had some sort of an effect on my wrestling fandom over the years. I don’t even know where to start talking about the accolades of these folks. We also lost some people that paved the way for people like me to write about wrestling on the Internet, including one of my closest associates over the past fifteen years or so. Larry was one of the few people I could always rely on to have my back through thick & thin. That list got shorter.
It’s part of the circle of life, of course. People you grew up watching will pass away. Some of your friends will leave before you do. Unfortunately, that circle started moving a little faster in 2020.
It was something many years in the making that needed to be done long ago. We can’t fault people for being afraid to come out. We live in a patriarchal society where women are afraid to speak their truth for fear of a backlash from the non-believers. Especially in pro wrestling, where women’s wrestling only got taken seriously (outside of Japan) in the last couple of years or so. Believe me, as a long time supporter of women’s wrestling I was a minority voice in the IWC for many years. Most people within the wrestling business were men that did not take women seriously.
It started with somebody calling out independent wrestling star David Starr. Starr denied it, but he pretty much got drummed out of the business right away, since apparently nobody believed him. Further accusations would follow, many involving wrestlers based in the United Kingdom but some in other areas of the world.
The UK took the brunt of it though. Jimmy Havoc was finally starting to get over in AEW when he got accused, and those issues along with other issues he had with substances led to his dismissal. Audio surfaced from years earlier of Sammy Guevara joking about how he wanted to rape Sasha Banks, which led to productive discussion, an apology and Sammy being sidelined for a minute while completing training. Sasha got a lot of respect for how she accepted Sammy’s shortcomings at that time & worked with him through the issue. Most folks wouldn’t have been as generous as Sasha was. Justin Roberts got accused of things too, he’s still around even though everybody that filled in for him was better at the job.
CHIKARA was seen as a viable alternative where women were treated as equal to men. As it turned out, we learned of multiple cases of sexual harassment & abuse, which hurt CHIKARA more than most promotions since they had a better reputation than most feds. CZW could survive such allegations because people expect less from them, CHIKARA couldn’t. Mike Quackenbush was initially very apologetic, then later on tried to put himself over in order to keep running shows. As much as I’m a mark for Quack’s in-ring work and found him to be a decent person in previous years, I, and most people, saw through his attempts of spinning the narrative.
David Lagana got drummed out of NWA. Marty Scrull isn’t involved with ROH or anybody else anymore. Joey Ryan got cancelled from Impact Wrestling and everywhere else, which didn’t surprise anybody because his character was that of a ridiculous pervert. Impact also got rid of Michael Elgin & Dave Crist after previous allegations surrounding them resurfaced. Will Ospreay got accused of blacklisting people to protect perverts he was friends with, but his employers protected him. WWE protected Matt Riddle & some other NXT UK folks that denied allegations. They did fire Jack Gallagher after he admitted to allegations. As long as WWE independent contractors denied allegations, WWE was happy to defend & push them. Velveteen Dream continues to be a featured act in NXT and a reason why I don’t watch the full show. What can I say, I try not to watch known sex perverts.
It might be impossible to get rid of all the sex perverts in the wrestling business. At least the #SpeakingOut Movement got rid of a good chunk of them.
Pro wrestling as a whole seemed to be in a good place heading into 2020. WWE was doing their thing. AEW was solidifying itself as a competitor on some level with widespread availability. New Japan was making noise about expanding their reach. Perhaps more importantly than all that, the independent wrestling scene was looking very healthy. Multiple feds were getting buzz. It was easier to access various brands of pro wrestling than it ever had been. For the first time in a long time, being a talented independent wrestler could provide a solid living if you knew how to work it.
Then, a global pandemic happened. Everything shut down, including most of pro wrestling. Non-American talent have a tough time getting here now. Non-Japanese talent has a tough time getting to Japan. WWE & AEW took their shows into empty facilities. Impact followed course not too long after. Feds like CMLL & ROH would do so later on. GCW & some other indy feds would run some socially distanced events with varying levels of success, but the demand for tickets isn’t what it was 12 months ago. Mexico had tons of lucha promotions running shows, now they don’t. Rinse & repeat for other countries.
We can talk about WWE’s product this year. We can talk about what AEW’s been doing. There’s so much that hasn’t been able to happen this year due to the coronavirus. It’s a minor concern compared to the deaths and possible future health problems we’ll be facing, but since we’re talking about wrestling it’s what we’re addressing here. We can hope that people will be in the right place at the right time to capitalize once we get to a point where we can have large attendances for wrestling shows again.
The game changed in 2020. All we can hope is that it hasn’t changed for too long, because it’s a game that many of us are losing. Hopefully we can make it a win in 2021.
BWN Nerds’ Movie Review: Godzilla vs Kong (2021)
Big boy monster throw down of the year! The Nerds return with a current movie review, and this one should be interesting. Is Dave too forgiving? Is Patrick taking his role as the German judge too seriously? Find out where the overall ratings lands between these two!
Welcome to this week’s edition of the Nerd Review! Every week the Nerds give you their take on a different movie from the Nerdosphere. This week Dave and Patrick review the fourth installment of kaiju cinematic universe Godzilla vs. Kong!
The Flick: Godzilla vs. Kong (2021)
What’s it About: A researcher believes a hollow world beneath the Earth’s surface is the birthplace of the mighty Kaiju. He convinces and old friend to help him take the mighty Kong to find his birthplace even if it means incurring the wrath of the King of Kaiju Godzilla. The battle between the two alpha Kaiju could result in the end of all mankind.
Metacritic Score: 59
The Nerds’ Take on Godzilla vs Kong (2021):
Dave It is time for the Main Event of Legendary’s MosterVerse, the showdown we have been waiting for: Godzilla v. Kong. If you have been following along with our Nerd Reviews, then you knew this was coming. What you don’t know is whether we feel the climax to the series is worth your time or not. Well allow me to give you my take on that topic.
Plot wise, it has been some five years since Godzilla defeated Ghidorah and things have been relatively quiet and peaceful. Meanwhile, on Skull Island, Monarch has created a dome like structure to observe and try and control Kong. Kong has developed a relationship with a little girl, Jia, who seems to be the last surviving member of her clan. Jia has, for lack of a better term, been adopted by Dr. Ilene Andrews. Jia is deaf and she seems able to communicate with Kong through sign language.
Halfway across the globe, Apex Cybernetics is engaged in some sort of experimentation that attracts the attention of Godzilla, who shows up and annihilates their facility in Florida. Godzilla’s attack shatters humanity’s notion that he is their friend. Bernie Hayes is an employee of Apex, but he also hosts a Podcast focusing on conspiracy theories involving the Titans. He is soon joined by Madison Russell (from Godzilla: King of the Monsters) who is a fan of the Podcast, and her friend Josh as they start poking around the remains of the Apex site in Florida. We soon discover that Apex is looking for a massive power source that they believe is located in Hollow Earth. Hollow Earth is really more of an Earth within the Earth (Middle Earth, perhaps?) and the quandary is how to survive the trip to Hollow Earth. Nathan Lind is a Hollow Earth expert whose brother perished in a prior expedition to Hollow Earth due to a reverse gravitational effect. But Apex has developed vehicles that can survive the voyage. They just need Kong to lead them there.
In the process of transporting Kong to Antarctica, which has an entry point to Hollow Earth, Godzilla senses his old rival and attacks. Godzilla definitely gets the better of this battle, forcing the expeditionary force to transport Kong by air to Antarctica to avoid detection by Godzilla. Kong gets the group to Hollow Earth and it becomes clear there has been an ancient rivalry between Kong’s ancestors and Godzilla’s. Kong discovers an axe made out of portions of Godzilla’s ancestor’s skins. Back on the surface, Bernie, Madison, and Josh have been whisked away to Hong Kong and they discover what Apex is really up to….Mechagodzilla. Mechagodzilla can be telepathically controlled and it is Dr. Serizawa’s son who is pulling the strings, using the severed head of Ghidorah to do so. The problem is that to utilize Mechagodzilla to its full potential, they require more power, much more power to be exact. This is where the search for the Hollow Earth power source comes into play.
Mechagodzilla is activated and this attracts Godzilla. Godzilla also senses what Kong is doing in Hollow Earth and he sends a blast of atomic breath from Hong Kong to, in essence, the center of the Earth. Kong and the Hollow Earth expeditionary force follow the hole made by Godzilla to the surface. Everyone emerges in Hong Kong for a massive fight between Kong and Godzilla. Kong fares better this time around but is ultimately rendered near death by Godzilla. At about this time, Mechagodzilla is imbued with the power source from Hollow Earth and he also achieves sentience. This leads to the big brawl between Godzilla and Mechagodzilla and it is a mismatch in favor of Mechagodzilla…. until Kong is revived, evening the odds in an enormously predictable moment. Godzilla supercharges Kong’s ax with his atomic breath and the two Titans take down Mechagodzilla. Godzilla and Kong show each other a sign of respect and go their separate ways. Apparently, there can be two alpha Titans after all.
Let’s talk about the good stuff first: the monster fights. They are all fantastic. The battles between Kong and Godzilla feel as big as you would expect. They are titanic clashes in every sense of the word. Godzilla fans will have bragging rights after watching this movie because it is clear that Godzilla whups Kong’s ass on more than one occasion. Kong fans save face though by noting that without Kong, Mechagodzilla would surely have triumphed. As for Mechagodzilla, his appearance in the movie was not a secret and he did not disappoint. The clash between Godzilla and Mechagodzilla was done very well to show just how much more powerful Mechagodzilla was and why it took the combined might of Godzilla and Kong to turn the tide. If massive Kaiju action is your thing, then Godzilla vs Kong is definitely your movie.
Now for the bad: The people. Now, I know what Patrick is going to say. That the movie shifts the focus to the people too much and detracts attention from the monsters. I know he thinks the concept of humans using a defibrillator on Kong is absurd. I am OK with those points in a movie like this. The problem I have with the people is this: They don’t matter. Not at all! They are white noise in the purest sense of the word. 90% of the characters are wholly uninteresting and meaningless. They add little to the plot and just get in the way. So, to be real, Patrick and I are, to a certain extent, talking about different sides of the same coin. The exceptions to this involve Jia, who is quite important to the whole notion of establishing Kong as the “good guy”, and Bernie, who is a fun character and kind of represents a microcosm of conspiracy theorists that are quite common in the real world today. Bernie epitomizes the notion that just because you are paranoid, doesn’t mean they aren’t watching you. But, beyond those two, the characters are quite dull and just felt very pointless.
As far as this being the series finale, I greatly enjoyed the movie. The dynamic between Kong and Godzilla is interesting and keeps you engaged, regardless of whether you are rooting for one, the other, or both. There are some interesting concepts in the movie, specifically how Hollow Earth is different than you might expect and much more interesting, no matter how far-fetched the idea might be. Interestingly, this movie really showcases just how bad ass Godzilla is. I am not sure why it took three movies to get it right, but I digress. Then there is Kong, who ends up being a multi-layered creature that is shown even more heroically than he was in Kong: Skull Island. As for me, I always favored Kong over Godzilla and I left the movie feeling fine with the outcome of everything. If there is a downside it’s that it appears the MonsterVerse has come to an end, just when it was getting really good. That’s too bad. As for Godzilla vs Kong, the awesome action sequences and special effects vastly outweigh the issues involving the people. This is a very good final installment (we think) in this franchise. It is the best of the movies involving Godzilla. I still liked Kong: Skull Island more, but this was a close second.
Dave’s Rating: 4/5
Patrick: Here we are again covering the fourth film in the Warner Brothers/Legendary produced Kaiju Monster universe. And once again this film somehow finds a way to mess up a simple concept. If you recall, in my review of Godzilla King of the Monsters I said good kaiju movies minimize the involvement of human beings in the film and let the monsters take center stage. Unfortunately, the folks at Warner Brothers still have not quite grasped the concept here in its fourth Kaiju film. The result is an uneven film that shines when the monsters are on screen and leaves me tuning out when the focus shifts to the little primates.
In this fourth installment, we learn that Monster research organization Monarch I closely monitoring Kong. Going so far as to create an enclosure around Skull Island so that he is safe from Godzilla. This of course will not last because, well, humans. One human in particular, a man named Nathan Lind comes with the backing of a mysterious tech corporation called Apex to search for “Hollow Earth.” Hollow Earth is a world beneath the surface of our Earth that is believed to be the birthplace of all Kaiju. Lind visits his friend and Monarch researcher Ilene on Skull Island. Lind believes Kong is the key to finding this hidden world. Despite knowing, Godzilla will attempt to kill Kong, Ilene agrees to embark on the expedition. Of course, Godzilla attacks and we get the first of three rounds of monster battling that we paid for.
Unfortunately, to get to round two and three, the audience has to sit through overwrought dialogue and subplots all in an attempt to help the audience connect to the experience. It’s all really boring. You know why? PEOPLE DON’T WATCH KAIJU MOVIES FOR THE HUMANS. But, I digress. Naturally the tech corporation Apex is not on the up and up with Lind. Color me stunned, but Apex turns out to be the real enemy to both Kong and Godzilla. I haven’t even covered the conspiracy theory guy and his gang of teenagers trying to expose Apex from the inside. Again, no one cares because, read it aloud…NOBODY WATCHES KAIJU MOVIES FOR THE HUMANS.
But this isn’t the end of the dumb. The audience is treated to an ancient history between Kong’s ancestor and the other Kaiju where we see Kong find the ancient axe of his ancestors. Because a monkey wielding an axe is cool looking. Did I mention Kong can charge the thing up with Godzilla’s radioactive breath? AWESOME? How about the humans using a high tech battery as defibrillator to revive a dying Kong? Just dumb on top of dumb followed by more dumb. And humans. All of the humans.
The cast for Godzilla vs. Kong is quite the list of names. Alexander Skarsgard essentially fills the role of human protagonist Nathan Lind. Honestly, he is the only human character given anything to work with. Kyle Chandler is back in his role as researcher Mark Russell, but if you blink you miss him. Millie Bobby Brown is also back as Madison Russell, but horribly wasted in a sidekick sort of role to the previously mentioned conspiracy theorist. She is limited to trying to discover why Godzilla has started attacking human cities. Someone of her talent could have and should have been used better. There are tons of other folks in this movie, and yet I struggle to understand why we needed them all. All they do is distract from what the audience wants to see which is GODZILLA and KONG FIGHT.
Ok. So what’s good about this film? Well, the Kaiju. The special effects team outdid themselves crafting these battles. Kong and Godzilla’s bouts all feel epic. I was also impressed with how much more well lit some of the night scenes were. As Kong and Godzilla battle at night in a Chinese city, everything is well lit without appearing phony. The choreography of the battles are terrific, albeit a little silly at times. Again, radioactive monkey axe. But the joy of Godzilla vs Kong is in these epic clashes. I watched the movie on HBO Max, I can only imagine how amazing it would have appeared on an IMAX movie screen with Dolby sound shaking my eardrums.
I came into Godzilla vs. Kong with pretty low expectations. I want to stress that I loved, loved, loved the action sequences involving the Kaiju. Unfortunately, you have to sit through an inordinate amount of human exposition to get to those epic moments. That’s not to say the humans and their stories need to be gone entirely. The audience does need a guide and some context. But Godzilla v. Kong would have been so much stronger with a pared down human side of things and a focus on the monsters. It seems Warner Brothers and Legendary pictures still haven’t learned the key to Kaiju: it’ all about the monsters.
Patrick’s Rating: 2.24/5.0
Overall Nerds’ Rating on Godzilla vs Kong (2021): 3.12/5.0
NXT Minus 6: Stand and Deliver…After
Brad breaks down the NXT Takeovers and his favorite matches! Do you agree?
These are the six best matches from Takeover week, plus a new bonus feature!
6. Jordan Devin versus Santos Escobar, 4.3 stars Devlin turned in a star making performance. His moonsault off the ladder was absolutely perfect and batshit crazy. Escobar is technically so sound, everything he hits looks great, and he’s top notch on the mic. But he’s not a cruiserweight, and I will never forget that fact. Still, an exciting match that surpassed my expectations.
5. Tyler Bate versus Noam Dar, 4.3 stars This match was a blast. Both guys have such a wide array of moves, you’ll never see the same match twice from either of them. The only thing holding this back was the Heritage Cup format. I like it, but it’s hard to have the sustained exchanges necessary to elevate a match to greatness. The breaks slow things down right as they are speeding up. Give these two a straight 20 minutes for the NXT UK championship #1 contender, and you’re look at a MOTY.
4. Gauntlet Match, 4.4 stars Another match that was just pure fun. Leon Ruff continues to prove he’s not a fluke champion. Cameron Grimes is 100% working the rich hillbilly gimmick. They made the right call by getting L.A. Knight and Dexter Lumis out quickly. And in another star making performance, Swerve Scott started the match against flyweight Ruff and ended it against Bronson Reed. That kind of versatility is enough to earn my #3 Star of the Night.
3. Io Shirai versus Raquel Gonzalez, 4.5 stars
This was the intense, inspired Shirai I don’t think I’ve seen since her match with Dakota Kai at Takeover 30. If this was her last match, as some are speculating, then she’s leaving on a high note worthy of her greatness. As good as Gonzalez was in ring, her performance after the match was even better. You could tell she kept flipping from “Holy crap, this is real and I couldn’t be happier” to “Yes, I’m a bad ass and I’ll power bomb every one of you chumps.”
2. MSK versus Legado Del Fantasma versus Grizzled Young Veterans, 4.5 stars
Some other federation might be on their level, but nobody does tag teams better than NXT. All three teams got considerable time to shine. In a match stuffed with terrific action & individual performances, Wes Lee shined the brightest. His hot tag was Cesaro-level awesome, and his athletic ability rivals Ricochet. He is a star in the making, and his performance earned him my #2 Star of the Night.
1. WALTER versus Tommaso Ciampa 4.7 stars
I gave Ciampa about a 1% chance of winning. Despite the lack of necessary drama, these two told a masterful story with near flawless execution. Something about WALTER brings out the best in whoever he faces. He did it with Tyler Bate and Ilja Dragunov. He did it with Ciampa. This was easily his best performance since his return from neck surgery. People say he’s a brawler, while guys like Johnny Gargano and Roderick Strong are known for their gas tank. Ciampa showed that he can run with the best. His effort against WALTER earned him the respect of Imperium and my #1 Star of the Night.
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